free outdoor show
Palmer Street, Harvard Square
with Bad Motherfucker
Kirby’s Irish Pub
818 Kempton St
New Bedford, Mass
with Ryan Crosby and Lys Guillorn
Sandywoods center for the Arts
The Greenwich Hotel
East Greenwich, RI
75OL-191 Allysen Callery For Folk Radio UK 2014 EP CD
Limited to 125 handmade brown jackets, 100 of which are only available at live performances.
2. All in the Morning
4. The Huntsman
5. Spare Parts
“The session Allysen recorded for us features three of her own songs and one traditional song ‘Blackwaterside‘ which she first heard Anne Briggs performing. The session also marks a new direction for Allysen on which she intertwines her love of psychedelic and trad folk. Her friend Bob Kendall recorded her in his shed one snowy evening. I think you’ll all agree that this session is simply magical, she never disappoints and always leaves you wanting more.” – Alex Gallacher Founder Folk Radio UK
Original album artwork by William Schaff
with Smith & Weeden
Narrows Center for the Arts
16 Anawan St #1
Fall River, Mass
You can read the article here
Bob Kendall felt as if he was interrogating himself throughout the process of writing and recording his third, self-titled record — a sentiment that’s also reflected in the album’s cover art. Bound to a chair under a single light bulb, Kendall and his guitar take the stage on his 2014 release.
“I ended up pulling out five of the songs. I was forcing lyrics and started feeling like I was making false confessions, which is where the drawing came from,” says Kendall, whose Providence illustrator brother Brad Kendall drew the cover.
A marked change in both sound and approach separate “Bob Kendall” from his two previous efforts, “Midnight Flower” and “Enough is Enough.” The songs have space to breathe through more sparse instrumentation, and Kendall’s voice sits high in the mix, a decision he probably would not have made had he mixed the record himself.
For the first time in his solo career, Kendall handed over the production reins to his friend Paul Kolderie, a well-known engineer and mixer who has worked with artists like Radiohead and the Pixies.
The songs on “Bob Kendall” are consistently mid-tempo with tasteful instrumentation. They immediately call to mind current artists like Noel Gallagher’s High Flying Birds and Richard Hawley as well as jangly groups like The Byrds and Tom Petty and the Heartbreakers.
“The simplicity is the trickery of it — those are usually the best songs,” Kendall says. “They are to the point and they say exactly what you want them to say. Most of my songs are pretty depressing, but they all have some description of hope,” he says.
The record’s opener, “Stay,” is a testament to the Middletown resident’s affinity for the pop form — both musically and lyrically.
“That song was written six or seven years ago and I thought of it as a challenge song. I was listening to ‘Breaking Up Is Hard To Do’ and the more I thought about it, I realized that sometimes staying is harder to do,” says Kendall.
“Stay” sets the tone for the sound of the record: a mixture or ’60s pop and country-inspired ballads which result in 10 hook-centric songs, plus bonus track “The Wind.” Although it’s clear that Kendall unabashedly wears his influences on his sleeve, he’s able to keep the songs from being derivative.
“Some of those songs were kind of soul songs, ‘New Day’ and ‘Holiday,’ and ‘Dead End Dream,’ were heavily influenced by a Roy Orbison period of my life,” says Kendall, “and they never really fit in with anything else I was doing.”
Recording at Stable Sound studio in Portsmouth was a process very unlike what Kendall was used to. “Midnight Flower,” Kendall’s 2012 release, was done in his backyard shed. According to Kendall there was less pressure this time around as an engineer was present during the sessions. “And the cool thing about Stable Sound is that while you’re recording you can open the windows and horses will stick their heads in,” says Kendall of the rural studio.
While Kendall is credited with writing nearly all the songs, the band collaboratively worked on “Dazed,” a dreamy, pop ballad with the type harmonies and guitar lines that don’t seem to be written anymore.
Even with five additional band members (drummer Dave Narcizo from the Throwing Muses, keyboardist Dan Wright, bassist Kevin Zahm and both Chuck Ciany and Rafael Attias on electric guitars), the record does not sound too big. “There was more dissecting than adding,” says Kendall of the mixing sessions, helping mold “Bob Kendall” into a collection of perfectly compacted, well-crafted pop songs.
A record release show with Providence-based rock ’n’ roll group Smith&Weeden, who have also just released an album, will be held at the Narrows Center for the Arts in Fall River, Mass., on Friday, June 20. “Bob Kendall” is available at www.75orlessrecords.com and at www.bobkendall.com, as well as locally at the Music Box on Thames Street in Newport.
“This is the best sounding record so far, Kendall says. “The quality of it is so much better. I appreciate it much more now than I did before, as I’ve recently been able to remove myself from it and see it more objectively.”
with White Mystery, Atlantic Thrills, Gym Shorts
103 Dike Street
Providence, RI 02909